an organized and detail-oriented blog for a 48-hour team who is anything but. with love from your very type-a executive producer.
Friday, April 30, 2010
Screening Tickets Available
Thursday, April 29, 2010
Weather Report
Food, Food and more food
- Breakfast (7-8am at Healey's house or on set): Munchkins, bagels, fresh fruit, breakfast bars, yogurt, OJ, coffee
- Lunch (on set by noon): Assorted Croissant Sandwich Tray (turkey, ham, roast beef), chips
- Dinner (at Healey's house around 6pm or after filming is done): Homemade casserole with chicken/vegetables/pasta/cheese with rolls
- Beverages (all day): Water, water everywhere - we need to stay hydrated (bring your own soda or sports/energy drinks if you need them)
- Snacks (all day): Cheese sticks, Peanut Butter Crackers, Apples, Bananas, Raisins, Granola Bars, Chips, Candy/Cookies
Only 36 hours until 48 hour!
- 5:30pm - 7:00pm - Jen Siler will attend kickoff event to get assignments (maybe with Chris Cochran depending on his schedule).
- 7:01pm - Jen will call Sean Healey with the 3 elements and genre. Sean will blast the info to the team.
- 7:30pm - Focused Brainstorming session begins at Healey's house for anyone interested in attending. (Short timeframe, very focused brainstorming, nothing but story ideas allowed to be discussed.)
- 9:00pm - Everyone leaves Healey's house except for core writing team (Sean, Chris, Jen) to refine script and dialog.
- 1:00am - Target deadline for final script*. Printout 15 copies.
- 7:00am-8:00am - Call time for cast and crew. Arrive at Healey's house no later than 8:00am. Donuts and coffee will be available. **Last year, we met at the beach, Sean Healey or Jen Siler will text or call you Saturday morning if an alternative meeting location is required.**
- 8:00am-9:30am - Arrive onset at first shoot location. Crew sets up gear and preps set. Director provides special instructions and reviews shooting schedule. Cast reads through the script.
- 9:30am - Target start time for filming.
- 5:30pm - Target completion of filming.
- 5:30pm-7:00pm - Return to Healey's House. Dinner and wrap party/debrief.
- 7:01pm-onward - Post-Production continues (ongoing through entire 48 hours).
- Cast & Crew sign paperwork
- Cast & Crew confirm film title
- Cast & Crew write logline
- 5:00pm - Target deadline for final film on flash drive
- 6:00pm - Leave Edgewater to deliver film in DC
Wednesday, April 28, 2010
A nod to last year's DC winner
"Gwendolyn Dangerous and the Great Space Rescue"
by Integral Arts
a Film de Femme
Washington, DC 2010
In this campy ode to sci fi serials, Gwendolyn Dangerous boards the ship of Hassan the Heinous in an attempt to save her sister from being his slave.
This one goes out to DC, Boston, and Singapore filmmakers, who will make over 200 48HFP films this weekend. Good luck to them!
Check it out:
http://www.48.tv/bin/index.
Friday, April 23, 2010
Screening, Kickoff, Dropoff
Hello DC 48 Hour Filmmakers—
Below is the listing of when to be where for the Project film weekend. Please read the Kickoff, Drop Off and Screening Information carefully so that you're in the right place at the right time!
KICKOFF EVENT
You must have someone present to draw the genre for your film in our random drawing. Please limit total attendees to 3 people.
Friday, April 30, 5-7p.m.
[All teams arrive by 5:30 pm--participate in check-in and drawings--Leave at 7pm sharp!]
WAREHOUSE THEATER
Enter through the parking lot on New York Avenue
645 New York Avenue NW--between 6th and 7th Streets
(for the past 3 years the weather has cooperated and we have held the drawing outdoors, so keep your fingers crossed)
DROP OFF EVENT
Your film must be received by 7:30 p.m. to be considered on-time and eligible for all awards.
[Late films will still be screened (but not judged), so be sure to get them in!]
Sunday, May 2 6:30-9:30 p.m.
"On-time" films by 7:30pm!
WAREHOUSE THEATER
645 New York Avenue
PLEASE NOTE: Do not enter through 7th Street
SCREENING SCHEDULE AND ASSIGNMENTS
Below are the official screening times and groups for the DC Project.
Your team has been assigned to a group. The only way to change groups is to find a team willing to switch with you.
Before you get deep in the moment of filmmaking, just a note about the screenings:
- Don't forget to invite your family, colleagues and friends to the screenings.
The info is below.
-Forward this email to your team members so that they know which screening to attend to see their film.
-For each screening group, the audience will vote for their three favorite films and from these votes, one film will be awarded the audience award. There will be eight Audience Awards in DC.
-At the screening, feel free to celebrate your film (and to lobby the audience for votes). In the past, film teams have worn costumes, handed out candy and postcards to the audience in the lobby and brought posters and props along to the screening.
We're looking forward to a series of fun and exciting screenings. Get some sleep!
DC 48 Hour Film Project Screening Info:
The screenings will be held on Tuesday – Friday, May 4-7 at the AFI Silver Theater in Silver Spring.
TICKET SALES
Tickets may be purchased online at www.afisilver.com (credit card required).
Tickets go on sale beginning Monday, April 26
Each team leader receives 2 comp tickets to his/her screening.
Or can be bought at the door of the AFI Silver Theatre that night!
Please contact me with any questions.
Mark
Mark Ruppert
DC Producer
48 Hour Film Project, Inc.
GROUP A Tues. May 4 7 pm
Dupont Circle Pictures
Empty Bench Productions
Epsilon Eridani Productions
peachu
Running Welshmen Productions
SiLvEr PaNtHeRs!
Spartan Films
The Big Honkin'
the Blue Rhino Productions
The Chenettes
The Quest
Unabandoned Works
WipPan Films
GROUP B Tues, May 4 9:30 pm
Apex Predator Productions
Bigger Boat Productions
Creative Liquid
Cyclopean Pictures
Drunks and Children
Frozen Penguin Productions
General Admission Films
Golden Films
Media Dacha
Musky Adventures
Peterwagon Films
Red Lift
Star Wipe Films
GROUP C –PG -13 Weds., May 5 7 pm
5212 FilmWorks
Astrocasters
CrazyLulu's Team
Farar Productions
Morning Coffee Productions
Red Pill Productions
Revolver Films
Rising Phoenix Productions
Team B.O.M.
The Lions
Tohubohu
Wytek Pictures
Xtreme Perception Video Production
GROUP D Weds., May 5 9:30 pm
Angels Production
Aquarian Entertainment
Dancing Pirate Scouts
citra Productions
DC Militia Productions
Dusky Manito
Hollywood Is A Man Productions
Holy Skit Productions
Jungle Rules Films
Loud Noises
Simple and Unsimplified
Tragedy Plus Time
Traxart Entertainment
GROUP E Thurs., May 6 7 pm
2Failures
3/4 Films
Actors with Strings
BiteBiteBite Productions
Cinema Murcielago
Flavor Babies
Fly By Night Films
Leaping Lizard Productions
Power Group Productions
Shoe Tree Films
SwimFast, LiveSlow
Ursus Lotor
Wake Up The Giant
GROUP F Thurs., May 6 9:30 pm
Krisp Productions
Leaning Tripod Productions
Nothing Sacred Productions/Mini Americans
onesixtyone (WIT Films)
Pick Me! Pick Me!
Pilot's Crew
Red Light District Attorneys
River Run
Sciatica Veer Films
Second Minute Films
solimage
Team Soul Story
Untied Artists
GROUP G Fri. May 7 7 pm
Baboy Productions
The Betamacks
Connectivity Group Productions
Crowded Elevator Pictures
DC Dogs
Dim The Lights
Eastern Avenue Films
Gatorot, Drink Of The People
Performance Initiative
Rolling Blunder Productions
Star Maker Machinery
Z M Movies
Zipper Productions
GROUP H Fri., May 7 9:30 pm
[sic] Productions
Badass Productions
Broken Reels
Cavegirl Productions
DC Film and Video Meetup
Flying Over Trout
JustinTime productions
Karma vs Mojo
Silver City Productions
South County United
Straight, No Chaser Productions
Team Bulala
Unfinished Productions
Untouchable Films
48HFP Screening: Friday 9:30 PM
Monday, April 19, 2010
48hfp Workshop

The first 48hfp Workshop in DC was offered this year. Kevin Good and Barry Gribble from Integral Arts were the instructors. They were the city winners in 2007 and 2009, and they have a laundry list of other awards and accomplishments, just check their website.
The workshop offered loads of tips and tricks for making a better film for the 48hfp. Topics included Script Writing, Camera Work, Audio, and Lighting. For me, it was an interesting learning experience, but there were no takeaways for me to bring back to my team, South County United. Our team is lucky enough to have a fantastic professional crew and resultant equipment.
One interesting tidbit of info that I found really interesting was around Environmental Portaiture (addressing camera work and setting up a shot). Barry and Kevin used the example of people sitting on a sofa (on film). So many 48 Hour Films submitted have a scene with people sitting on a sofa. And 99% of the time, the sofa is up against a boring white wall.
Now, think about every sitcom you've ever seen on TV. The sofa is never placed against a wall, it's almost always in the middle of the room. (Friends, Seinfeld, Everyone Loves Raymond, Happy Days, Cosby Show, you get the point....).
So there were definitely some fun and interesting things that I learned, since I'm not a camera operator or a photographer. But it will make me more aware of most of the things I see on TV or movies from now on.
Thanks to Kevin and Barry for a great day. And I think I speak on behalf of the 100+ teams entered this year -- thanks for not entering the project this year!
Saturday, April 17, 2010
Brainstorming Bonanza
As notes for 2011, we started by brainstorming each genre, trying to list a few good ideas with very basic story outlines.
Then we hand-picked our Top 5 strongest and most realistic story ideas (based on # of actors required, # of locations required, special props or extras required, etc.). We had to throw out a few really good ideas for sheer time restrictions. If we ever enter a 20-minute short film contest, we have some great ideas!
After we picked our Top 5 story ideas, we went through each genre again to see if one of our 5 stories fit into each genre category, and tried to get 2 story ideas for each genre. We were short on a few of the genre, but were able to come up with at least something (but hoping we just don't pick those)! Two that really have us stumped this year are the Silent Film and the renewed genre for 2010, Film Noir.
We're fortunate this year to have two females willing to act, so the Film de Femme category no longer scares us. Last year, we had zero females so we were at a loss for that genre but we should be OK this year.
I'm attending the newly offered 48hfp workshop tomorrow, looking forward to learning some of the tips & tricks that former winning teams have to offer.
South County United is feeling prepared and ready this year, I hope that isn't a false sense of security!
Two weeks from this moment, the cameras will be a-rollin! Cheers to a great 2010 48hfp!
Wednesday, April 7, 2010
T minus 3 weeks!
Not sure what is going on with the 48hfp committee but according to the DC page on their website, there are now 104 teams registered? So much for that 100-team limit they had talked about!
I decided to register for the new workshop the 48hfp committee has organized this year. It's Sunday, April 18th from 12:30 until 5:00pm in downtown DC. The "teachers" are from Integral Arts team who has won this contest twice, been named a Top 5 US 48HFP team twice, won the Panasonic HD Showdown in 2007, and won the LA Television Festival in 2009. So their credentials speak for themselves, I am going to attend the workshop to see what our team can learn and apply to this year's film.
If anyone else has an interest in joining me, you can register by CLICKING THIS LINK.